![]() His last completed score, the Concerto for Orchestra, commissioned by Koussevitzky, proved to be his most popular work. he also undertook folk-song research there as a visiting assistant in music (1941–42). With the outbreak of World War II, Bartók decided to leave Europe in the fall of 1940 he went to the U.S., where he remained until his death. He resigned his position at the Budapest Academy of Music in 1934, but continued his ethnomusicological research as a member of the Hungarian Academy of Sciences, where he was engaged in the preparation of the monumental Corpus Musicae Popularis Hungari-cae. 1928, and also gave concerts in the Soviet Union in 1929. The melodic line of his works sometimes veered toward atonality in its chromatic involutions in some instances, he employed melodic figures comprising the 12 different notes of the chromatic scale however, he never adopted the integral techniques of the 12-tone method.īartók toured the U.S. He made use of strong asymmetrical rhythmic figures suggesting the modalities of Slavic folk music, a usage that imparted a somewhat acrid coloring to his music. The basic texture of his music remained true to tonality, which he expanded to chromatic polymodal structures and unremittingly dissonant chordal combinations in his piano works, he exploited the extreme registers of the keyboard, often in the form of tone clusters to simulate pitchless drumbeats. In his own compositions, he soon began to feel the fascination of tonal colors and impressionistic harmonies as cultivated by Debussy and other modern French composers. Bartók was a brilliant pianist whose repertoire extended from Scarlatti to Szymanowski, as well as his own works he also gave concerts playing works for two pianos with his second wife, Ditta Pásztory. In 1919 he served as a member of the musical directorate of the short-lived Hungarian Democratic Republic with Dohnányi and Kodály was also deputy director of the Academy of Music. His interest in folk-song research led him to tour North Africa in 1913. He formed a cultural friendship with Kodály, and together they traveled through the land collecting folk songs, which they publ. ![]() His earliest compositions reveal the combined influence of Liszt, Brahms, and Richard Strauss however, he soon became interested in exploring the resources of national folk music, which included not only Hungarian melorhythms but also elements of other ethnic strains in his native Transylvania, including Romanian and Slovak. In 1899 he enrolled at the Royal Academy of Music in Budapest, where he studied piano with Thomán and composition with Koessler he graduated in 1903. In 1894 the family moved to Pressburg, where he took piano lessons with László Erkel, son of the famous Hungarian opera composer he also studied harmony with Anton Hyrtl. ![]() He began playing the piano in public at the age of 11. His father was a school headmaster his mother was a proficient pianist, from whom and he received his first piano lessons. Bartók, Béla (Viktor János), great Hungarian composer b. ![]()
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |